| 1992-94 | MA Fine Art Printmaking | Royal College of Art |
| 1990-92 | BA Fine Art Printmaking | Chelsea College of Art |
Exhibitions
| 2025 | Small Works, Newhaven Art Projects | Newhaven, Sussex |
| Woolwich Contemporary Print Fair 2025 Curated hang | Woolwich, London | |
| What Happened Next? October 2025, The Safe House, Peckham, London. Group show. Curated by Sara Bjornsdottir | Peckham, London | |
| Artists in a Bed. Performance, curated by Paulina An Zorge | Adelaide Salon, Hove Sussex | |
| Voices of the River: Participant in Tate Gallery, HTRC Transnational, TBA21 and Love Our Ouse workshop | Lewes, Sussex | |
| Studio visit. ROSA Review of Sussex Arts magazine. Spring edition ’25 | ||
| 2024 | Royal Academy Summer Show Great Weston Room selected by Cornelia Parker | |
| Woolwich Contemporary Print Fair Directors Cut | ||
| PaperWorks | Newhaven Art Space | |
| Sussex Contemporary Open, Newhaven UK | ||
| Newhaven Open Call, Newhaven Art Projects, UK | ||
| 2017- 2025 | Co-curator of MUD | Artwave festival, Sussex, UK |
| 2019 | Screening of FLAXMAN. Marcia’s Farquhar’s The Dog’s Bolex | Whitechapel Gallery, London |
| Artists at Glynde Place | Glynde Place, Sussex, UK | |
| Matter | Glynde Place, Sussex, UK | |
| 2018 | FLAXMAN screened at Difficuλt. Collaboration with Marcia Farqhuar & Victoria Harwood. | CPG Gallery, London |
| Mrs Benn | Mrs Benn, Brockely, London | |
| Artists at Glynde Place | Glynde Place, Sussex, UK | |
| Chalk Pit | Glynde Place, Sussex, UK | |
| 2017 | White Trash, Gun Girls and Riots. London Short Film Festival. Gun Girls screened with Q & A | ICA, London |
| 51 Zero Festival Screening of ‘How I Express Myself’ | Chatham Historic Dock Yard, Kent, UK | |
| Bird Boxes | Glynde Station curated by Isobel Smith, Rural Art Mission | |
| 2016 | Common Sense | Empty Space, Holme, Yorkshire, UK |
| 2015 | Possible Object. Collaboration with Jo Addison. Stop Bugging Me | Tintype Gallery, Islington, London |
| 2014 | Holmfirth Art Week | Empty Space, Holme, Yorkshire, UK |
| 2013 | Decommissioning Shapewear (artist and curator) | Feminist Times project with Charlotte Raven. London. |
| A Universe in My Garden | Empty Space, Holme, Yorkshire, UK | |
| 2012 | Open Studios show | The Papered Parlour, London |
| 2011 | Nunhead Open | London |
| 2010 | Exquisite Corpse | Core Gallery, Deptford, London |
| 2009 | Strange Birds | Good Children Gallery, New Orleans, USA |
| 2008 | Picture House | Picture House Cinema, Greenwhich, London |
| 2007 | Move Me | Pacific Playhouse, Southwark, London |
| 2006 | O-Maps | Jem Finer, Oxford, UK |
| 2005 | Snapper | Brixton Market, London |
| 2003 | Friday Night, Saturday Told | Gallry Skuggi, Reykjavik, Iceland |
| 2002 | Art Pal | Marcia Farquhar, Munich, Germany |
| 2001 | Five Habits for Being Effective | Brewer Street, London |
| 1999 | Soft City | House Gallery, Camberwell, London |
| Passion | Gasworks, London | |
| 24 Frames of Separation | Brixton, London | |
| Shopping | FAT projects, Carnaby Street, London | |
| 1998 | Adhocracy | Gallery Herold, Bremen |
| Whitechapel Open Studios | The Foundry, Old Street, London | |
| Beach Life | FAT projects, Islington, London | |
| 1997 | Special Offer | Plaatsmaken Gallery, Arnhem, Netherlands |
| Special Offer. Co-curator with Tony Campbell | Calvert Avenue, Shoreditch, London | |
| Class Vegas | The Embassy, Islington, London | |
| Wait and See What’s for Dinner. Commission & collaboration with Jo Addison. Curated by Kate Fowle. | Towner Art Gallery, Eastbourne | |
| 1996 | Bitter Twist | Unge Kunstneres Samfund, Oslo, Norway |
| Bitter Twist | Margaret Harvey Gallery, St. Albans, UK | |
| Hijack flyposters | New York, USA James Coleman Fine Ar | |
| Gun Girls, film collaboration with Victoria Harwood. Screenings. | London, Finland, Toronto, Taiwan, UK’s Rapture TV & BBC UK Arena. | |
| 1994 | Make Believe. (Third prize winner) | South Bank Photography Show Royal Festival Hall, London |
| Alternative Arts Summer Show | Marleybone, London | |
| Adsite & Outpost | FAT projects, Edinburgh Festival and Venice Biennale | |
| Second International Student Biennale | Barcelona, Spain |
Bibliography
| 2025 | ROSA magazine – Spring issue | Studio Visit |
| 2019 | The Dog’s Bolex | Book by Marcia Farquhar |
| 2013 | Decommissioning Shapewear. The Feminist Times | Online magazine |
| 2003 | Morgunbladid (Reykjavik) | p24, 23 May. |
| DV (Reykjavik) | p15. | |
| 1997 | Nov/Dec p.87, Review Neil Brown | Frieze |
| Time Out | Martin Coomer | |
| 1996 | Dagbladet (Oslo) | 15 May, Nye Briter, Harald Flor |
| Aften Posten (Norway) | 7 May, Young Brits with a twisted view of Life, John Harbo | |
| 1995 | Untitled | Author of review of Natural Settings at Chelsea Physic Garde. p21 |
| The Independent | 2 Aug Don’t Scoff, John Windsor | |
| The Guardian | 19 Aug Making a meal of it, Laura Cumming | |
| Kaleidoscope | Radio 4 15 Aug, Review | |
| Arnhemse Courant (Arnhem) | 15 May, Review, Henk Meutgert | |
Collections
| 2024 | Paper Bag (Red) | Lanistown Collection |
| 2010 | Prehistoric Landscape | UAL collection |
Lucy Newman | Visual artist, UK 